An updated and presentationally improved version exists at (c/o):
 www.geoffss.plus.com/ladyandgoat.htm
 
The pentagram - plastered all over the American Armed
Forces. This version is called Devil or Goat.  It looks like
a goat's face.  Where the chords cross are multiple phi
points.
Where his horns meet is a 'precious gem', an
emerald. 
And why?  Phi.

This is the shape you'll most commonly find on the forehead of Tarot 15 (as
against that of Golden Dawn 'Isis'* and, also, a one hexagram for instance I
found). Below, an "Isis":

golden dawn tarot 15
    *This is an 'Isis' - on the forehead.  It is created using
     the vesica piscis geometry that creates decagons,
     pentagons/pentagrams and hexagrams.  The more
     normal Tarot 15 representation has a pentagram on
     the forehead of this 'The Devil'/Baphomet (to some).
     An 'Isis' is perfectly parallel to one of those - and
     hence perfectly developable geometrically from a
     pentagram star (using the same vesica-generated
     hexagram chord that helps create pentagons and
    decagons.  This point eluded David Wood .  He did
use a regular 15-sided shape* to produce this Tarot 15 forehead shape,
though!  Note the chained figures - Venus is often 'horned'.

*  A masonic ref.: the Winding Stairs.  There are 3 + 5 + 7= 15 of them.
A 15-sided (and segmented) regular polygon, a pentdecagon, will look like
a 15-stepped spiral staircase.  Biblical ref.: 24 Elders round the REVELATION
throne - 360/15 = 24 ... but they can also be hours etc.


The (first) shape is just a pentagon, joined up as a star, and nothing more sinister
than that. If you turn it upside down - or tilt your head slightly - you'll see its mirror,
complement and opposite: Lady or Woman.  You'll see pointed head, outstretched
arms and legs. There is a 'precious gem' where her legs meet.  Another emerald. 
Phi.  And that's about as esoterically/arcanely/hermetically frighteningly significant as
it gets, really - for what you can do with a pair of compasses, straight edge, and
pencil coupled (if you'll pardon the phrase) with vivid imaginations!  If  I remember,
the emerald is known as the Jewel of Venus whilst Lucifer loses an emerald when
he's chucked out of heaven - the Holy Grail gets carved from it (apparently) and it
is a fairly common Grail lore theme. Kepler, circa 1596 AD, supposedly uses the
term 'precious jewel' for phi*.

The Vesica Piscis is attached to that part of the anatomy - the where-a-lady's-legs
-meet bit.

By geometric construction, hexagrams and pentagons interact .... there.  If you
look carefully you'll see that where-his-horns-meet and where-her-legs-meet are
exactly the same places - 5 of them in all - and are mirrors.  If we superimposed
an opposite on top we'd create decagonal maths and produce ten emerald phi
-points.  That's ten emeralds to our ten Tree of Life sapphires. Ten suggests
decagons.

       GOAT                                  LADY











The green circles are the (multiple) phi points.  There are 5 each - making 10 ( if
you put one atop t'other).

The black line is common.  Notice 'he' has a precious gem where his horns meet
and 'she', where her legs meet.

*Brief digression - "Kepler ...  for phi" (above): to be strictly accurate it should read
'for the relationship now symbolised (well, since the 1900s AD, anyway) by this 21st
letter of the Greek Alphabet.Φ.  There's an interesting few points here: zero is divided by
unity into exactly two mirror halves; you're looking at the digits of binary; you're looking
at the first two digits that generate the Fibonacci Sequence that increasingly approximates
to phi.  Clever choice of symbol!  Kepler actually calls it the 'division of a line into extreme
and mean ratio' and holds it to be a 'precious jewel'  to Pythagoras (note Euclid 47) as
'a measure of gold'.  Others tell of 2 Royal Arches, (male) phi, again, but (female) pi as the
second - the imagery related is I and 0 .... and making babies.. 

One wonders if the Sts John of Jerusalem signify one of  these 2 combinations?  Certainly,
the Beloved disciple', St John the Evangelist, has been represented (by Leonardo in Last
Supper, say) as somewhat feminine, some feel.

(*Note: sometimes the Sts John are both the Baptist ... and sometimes the Baptist is
represented as possibly androgynous/female/hermaphrodite, I've found.)

I recommend www.goldennumber.net here as a quite remarkable resource - which I drew
from, here, in my brief digression, above, to an extent.  Note also that the Tarot Major
Arcana of 22 cards ends with card 21 (from card 0), 21 being a Fibonacci number
(0,1,1,2,3,5,8,13...). It is fascinating here that 1 + 1 + 2 + 3 + 5 + 8 + 13 sum to ..... 33.

Note too that Φ* is a kind of ten, 10, combo.  Now Dactyls (fingers) spring to mind.  You
have ten fingers, normally, and these have been assigned as right-hand = male and
left-hand = female,  with 'right'  as dexter (smiths etc., as in dextrous), subject to the
goddess, and 'left' as sinister and somewhat witchy and representatives of the goddess
(See Robert Graves on Lemnos et al).

(*Note: the ubiquitous circle o cut by a slanted line  / 'phi' symbol results from early
computers/ASCII).

See the problem?  I would expect a convention of sorts were there a tradition and I would
expect it to fit to the Dactyls were it part of some esoteric 'stream': left would be female
and right male.But mirrors is a recurring encounter in these pages I've posted - what if I'm
supposed to see it from THEIR perspective.  Adam/John the Baptist have Eve/John the
Evangelist on their left, from their point of view.  This possibly addresses to difference in
the placing of the J and B Temple of Solomon pillars in terms of B J Tarot II to J B 'The
Compass of the Wise' et al (where J is Solar/white/male/ Fire and Air to B's Lunar/black/
female/Water and Earth).  That just leaves the ask re. John the Baptist ..... water?  'Jesus'
seems to be the (male) Fire Baptism to John's (female).  Water? There are problems, I note,
if you try to trowel on the Chakras and the Yogic systems - white normally becomes female
and red male, for instance - but I do say 'normally' (it ain't set in stone, exactly!)*.  Oh,
well ... back to the plot:

(*Note: I found Male as South/Water and Female as North/Fire - Volney, was it, or Pike?)

Phi is the longer part of the pentagonal chord to the shorter as well as the the
decagonalside to the decagonal describing circle radius: if  I drew a line from the
centre through a 'gem' to the circle, then the gem would also cut that, longer to
shorter, in a phi ratio.Hence "multiple phi point".  Phi is also what Venus gets up
to in the sky.  Remember that Venus is Lucifer.  Lady/Woman and Goat/Devil?* 
The pentagrams look it and Venus/Lucifer does it.  This Female-Male idea
appears on Golden Dawn Tarot 15 above (where horned Venus is tethered
opposite Mars (and Lucifer) and/or horned Moon opposite Sun etc).  Note also
the alchemical 'Marry the White Woman of theWest to the Red Man of the East' ..
You might also think of Nox and  Lux.

* Wiki carries "goat of lust" inverted pentagram as a mid-C19th AD fancy - and
it also carries pentagrams as Ancient Greek "here to there" and "there to here"
Otherworld places characterised by heroes entering Hades and returning with ...
"wisdom".


This is Venus:
venustransit

www.eso.org/public/outreach/eduoff/vt-2004/Education/edu1app5.html
 
It's a 5 : 8 relationship (phi-alike).  It's not quite perfect but gets back to
its exact start every 40 years - in the desert/wilderness?  Going round it is
the counterclock-wise zodiac context: Scorpio atop, Taurus abottom,
Aquarius left and Leo right. Move the context round 90 degrees counter-
clockwise and you have the 4 Royal Watchers in their assigned NSEW
stations of about 4-5000 years ago.  In the Bible, these find expression as
Calf/Ox, Lion, Eagle and Man/Angel - the 'wheels' on the fiery chariot, the
merkabah/hod. Bull is Taurus, Lion is Leo, Eagle signals Scorpio, and
Man, Aquarius:  www.awugabunnies.co.uk/7.html

Note that St John the Evangelist is identified as West/Eagle/Scorpio.  It is of
some importance in the study of the Perpetual Choirs of Britain where the
Lady and Goat pentagrams combine with Point St. John, Wales.
 
In Grail lore, Celtic tradition and Tarot suits there are Wands, Swords, Cups and
Pentacles (Platters).  Wands and Swords are male, Cups and  Platters/Pentacles 
female.               







This is a detail from the Ace of Pentacles, Tarot.  Can you see the (phi) Chalice? 
Number the top point 1, then go round clockwise 2-3-4-5.  Join 3 to 4.  See it
now?  Go 2 to 4 to 3 to 5 to 2.        
 
Could this phi chalice be the Holy Grail (if the grail be a cup, of course)?  The
imagery is largely female: the hand, the circle and the lady version of the pentagram. 
Imagine the foliage of a tree and its fruit.  An added trunk would get to be the male
bit, the sword and spear.  The imagery also seems to fit to a 7-candle stemmed
menorah.

Note (added 03-08-07): geometrically speaking, every pentagon/pentagram
has an implicit hexagram star behind it - and you can also find 'gem'
connections here to Star Sapphires (6s and 12s).  Another name for
sapphire is sephirot/sefirot.  Plural: sephira, as in the Tree of Life, below.

One of our Sts John of Jerusalem - the Evangelist - is
portrayed by the symbol snake-in-cup/chalice. 
Apparently he avoided a poisoning attempt on his life. 
But snakes are also associated with both wisdom and
immortality - the two trees of Eden - and Durer, for
instance, poses Adam, Eve, Tree and Serpent in a manner
extremely suggestive of left-hand male pillar, right-hand
female pillar, and central "wisdom" serpent/fruit.

Click on Perpetual Choirs (tab left) to see how pentagram/phi chalice, snake
and Point St John actually combine on the ground.

For more on the BristolChannel/Mouth of the Severn (and 7) see
http://docs.google.com/View?docid=dhsvjc9j_0gd5gzz

Representations of the Tree of Life sometimes come with a serpent rising from
Earth to Heaven c/o all the ten sephira; some representations of the crucifixion
replace Christ with a serpent, an image reprising Nehushtan, the brazen serpent
Moses nailed to a pole..
 
Snakes, in "gnostic" representation, are largely
UPwardly mobile - and they seem to represent
'the river of the water of life'  (is this river' partly
an allegory for Time, with the 12-sign zodiacal
ourobos either side of the 'street' of it?). 

Yet the Fall serpent gets kicked out of Paradise/
Eden = DOWN*, Heaven to Earth.  This Heaven
to Earth pathway is called the Lightening Flash -
the enlightened snake in reverse.  Both sequentially
visit all the ten "Gates of Light" and "Shining Ones",
as the sephira/sephirot are known. To the 22 pathways connecting these are
assigned both the 22 letters of the Hebrew alphabet  and the 22 cards of the
Tarot Major Arcana.** 

*Onesuch gnostic snake is Ophis - not kicked out but deliberately going to
earth to encourage the eating of the (pentagram) apple/wisdom (with the recruited
help of JC, somehow).  More on this to follow .... 14-09-07
** 22 the number (atu - keys/trumps ...c/o Aleister Crowley/Order of the Golden Dawn!)
of wisdom/moongod Thoth. 11.11 is "insight".  Or is it?
Note re 11.11: More often/nearlt always 11:11 and tied to noticing digital clocks.  Also 11-11.
See t
he fascinating www.mystic-mouse.co.uk/Wisdom_Texts/G_Tucker/ElevenElevenAgain.htm
Tarot II carries 2 pairs of II, up top, above the High Priestess and as the 2 pillars flanking her. 
The Jachin and Boaz pillars can also be seen in II II (also 2 X Gemini).  Caveat:  the actual
conventions of 11:11 and 11.11 as time symbols are maybe not that old, perhaps?!

To the sephira are assigned names, numbers, qualities, the "Heavenly Bodies"
(and their sigils/glyphs), geometrical shapes, colours, angels ....  The High
Priestess/Papesse card, Tarot II, gets to 'live' at non-sepirot II, Da'ath.  The
snake goes through there, too.
 
To detail some: top left (the male pillar) is sephirot 3, Saturn, triangle, black;
middle-right (the female pillar), 4, Jupiter, square/pyramid, blue; middle left, 5,
Mars, pentagram, red; 6 (miiddle pillar), Sun, hexagram/cube/truncated pyramid,
yellow; 7, Venus, hepta/septagram, green; 8, Mercury, octagram, orange; 9, the
Moon, nonagram/enneagram, purple; 10, Earth, dekangle, 4-coloured quarters
of a circle.
 
This Earth-centred, Ptolmaic, universe conceptualisation, was known to people
like Pico della Mirandola, C15th AD.  But it was also known to St. John: his
'seven seals' that needed breaking on the way to enlightenment.  The idea was
that the heavenly bodies were 'guards' on the snake-path to sephira 1, the Crown
/Throne of Heaven/Bethel.  We are looking at "Jacob's Ladder'.  Notice also that
the 7 listed polygrams combined with the 5 Platonic solids in Metatron's Cube
(see Geometry/diags. - he's the archangel associated with the Crown) make 12. 
12 'Fruit' of the Tree of Life?  Another nicety is that the central pillar sums to 26 -
as does MM (hence Mary Magdalene and Master Mason interest?).  I looked
here at the SONG OF SOLOMON "I am the Rose of Sharon ... lily of the valley"
because of the association of red rose with lowest sepiroth.  It was striking that
lily is Jacob's Ladder, a Tree of Life term, and, as Iris, it is the rainbow. A
rainbow spectrum is 7.  The combination is White: alchemy is about turning red
into white (apparently).  Gary Osborn mentions the male red to female white as
mirrors and complements (Graham Hancock Mysteries Forum) and alchemical
Mercury and Sulphur also come to mind.  But female is usually black ... cold/wet ...

A related idea to enlightment is that Fall/being cast out of Paradise  is the 'Word
made Flesh', a Fall from Grace/Logos/Spirit to the Earthly and carnal pleasures,
this characterised as going from 1 to 10 either by the Lightening Flash or directly
Crown-Sun-Moon-Earth.  Ker-splat!   Earth is also 'Bottomless Pit' - not a nice
place for seekers after intellectual and spiritual enlightenment to hang out.  Not
nice at all!  Omar Khayyim, late C11th-early C12th AD knew of this stuff from
the bowels of the Earth, he wrote, ... rose to sit on the Throne of Saturn. Ptolmaic. 
This is to be compared with Copernican and alchemical  'turning Lead (Saturn)
into Gold (Sun).
 
Under the BabylonianPtolmaic system, the 7 Heavenly Bodies (Earth doesn't count)
fit to a 'fat' heptagram star in the Tree sequence - and then along came Copernicus,
late C15th - mid C16th AD and messed the whole thing up with his heliocentric stuff
- never mind the discovering of Uranus, 1781, Neptune, 1846 and Pluto, 1930-
2006)!  In a chakra allied systems, the 7 became Saturn (base) - Jupiter - Mars
- Venus - Mercury - Moon -Sun Copernican (having been Moon - Mercury -
Venus - Sun - Mars - Jupiter - Saturn Ptolmaic).*  The idea of Saturn as an inverted
(black) triangle and lowest chakra is evocative of something.  I wonder what?**

* An oddity ... the 10 sephira of the Tree of Life have these 7 assigned as 3-9, descending 3 (Saturn), 4 (Jupiter), 5
(Mars), 6 (Sun), 7 (Venus), 8 (Mercury) and 9 (Moon) BUT "enlightenment" runs the other way: from 333 akraisia
up to 999.  Two alternate systems collide.

**Stop press: Agrippa and the 'marriage' of Magic Squares to Ptolemy.  3 gets to be Saturn counting inwards to  9 being
the moon.  Sun is (Hexagonal) 6.  6 and 9 are mirrors - quite deliberately symbolically so.  Agrippa published 1510 AD,
possibly from earlier sources - but Magic Squares don't arrive in Europe until 1300 AD.  I've posted a (very minimal) history
of Hindu-Arabic number development on another page - e.g. 6 and 9 as against say VI and IX,  not mirrors.
 
Besides pentagonal geometry, phi is also to be found via an equilateral triangle
and a square via very simple compass, straight edge and pencil construction.
 So it is a feature common to the developments equilateral-hexagon (Seed
/Flower of Life), square-octagon and pentagon-decagon - as well as all derivatives
and developments of these.  From simple Isis/decagonal geometry, you also get to
trisect a pentagon and deliver Wood's 15-sided pentadecagon.  This seems to me
to be far more likely a constructional outcome than an input!

For a detailed study of Mirrors click go to  www.awugabunnies.co.uk/9.html
Is there a progression from equilateral to square to pentagon (and on) that is
constructional and resides in the properties of the Vesica Piscis-based Seed/Tree
of Life?  Here is Robert Lawlor, SACRED GEOMETRY (p.43):
 
This image is (almost) the Albrecht Durer
classic "showing the construction of a pentagon
from a Vesica Piscis and its union with the hex
-agon" (the hexagon is implict here in the bottom
circle).  It is accomplished in the same way as
the Creator traditionally designed the universe,
'with the compasses unchanged' (Michell, Street,
or both). 
 
Durer, 1471-1528, was a noted engraver,
woodcut designer, painter and astrologer.  What Lawlor has done here is add in
an equilateral triangle and a square to the Durer geometry whilst dropping 5 of the
6 hexagon sides). His point is that this Seed of Life "bears" regular polygons. 
They all have the same base-length - so all are equally-sided in the length of their
sides.  What's more, it's progressional: equilateral delivers hexagon delivers
dodecagon (by geometry) as pentagon delivers decagon delivers .... 
 
Lawlor notes that the Vesica's Square Root of 3 is the 'formative power' than
gives 'rise' to all these polygons.  An extended diagram shows the polygons
(rather like a scallop shell, don't you think?) fanning out:
 
If you replaced the polygons with
their describing circles you'd have
a kind of Round Table based on the
Square Root of (1.5 + 1.5)
geometry!
 
Note the central column - and how
similar the 'building blocks appear. 
It's almost as if there is an incre
-mental rise from one polygon to
the next, isn't it?  But it's an illusion
(and I note Lawlor, himself, doesn't claim equal increments).  The Lawlor
approach delivers some polygons, it seems, but not heptagon ... nonagon ...
I looked at the (inviting) idea of using a common base combined with an
constant increment gain generating regular polygon centres - doesn't work
either - but then so much of this stuff looks good at A4/Trig. free level.  One
logical outcome of Lawlor: phi.  It is necessarily the relationship twixt the
equilateral (and common side) and the decagon centre-to-corner (radius,
given describing circle).

Whilst is is obvious that an octagon can be same-sided (lengthwise) as a
square - as in Lawlor, above - you need a common base for an octagon and
square to 'live together' on a Seed/Flower of Life geometric development: the
octagon sides will be smaller than the square's but the radius will be X2 and
hence the describing circle will be X2 in circumference (a Seed/Flower 'fit'
necessity).  Lawlor's diagram above might be miscontrued (but not by him!)
as indicating Seed/Flower.
 
For my purposes, however, the common side is abandoned in favour of a
common bottom - and two circles tangential to each other at it.  One will
have a radius of 63 miles (with an inscribed decagon) and one will have a
radius of 50.4 miles (with an inscribed octagon), noting that 50.4 is 8/10ths
of 63 and that 63 miles is 504 furlongs.  Allowing Pi to be 22/7 (which it
ain't), we would have circumferences of 316.8 miles (octagon) and 396
miles (decagon) - and our decagon perimeter will (again with 'stylised' 22/7)
be 6.66 miles less than the 396 circle circumference. 

And the common 'bottom'?  It will be an actual geographical place on a map:
just by Great Bottom, WhiteSheet Hill, ST813351, Lat 51.115 (a mirror - of
sorts).
 
***I want to post a special note of thanks here to George Firsoff, now, sadly,
deceased.  I corresponded extensively with George during his time in Stoke
and he 'kept me honest' whilst keeping me keen.  George's mathematical help
- and his spirit and humour - were much-welcomed props.  I miss them.
Amongst other things, I note, George was the long white-haired 'Druid' who
tangled with English Heritage over access to Stonehenge at the Solstices. 
Bless all his surds and pseuds***
 
7s and 12s
 
Something that I noted years ago was a John Michell reference to the relation
-ship between 7 and 12.  I forget which way round, but apparently one is the
other, esoterically.  Thoughts were the Seed of Life - the 7 circles generate
both 6-sided hexagon and 12-sided dodecagon  (as the fitting of the Tree of
Life can demonstrate - 7 disciples of 12 catch 153 fish seems pertinent), a
music scale of 7 notes (of 12) in an octave*, or something to do with the 12
zodiac signs/months and the 7 heavenly bodies, but Nigel Pennick touches
on a possibility that not only fits to the 'ask' but also to the basic geometric
building blocks of vesica/equilateral/square.  I knew that basic church floorplan
design was just an unbundled cube (six squares - and sometimes with snake or
rose), but apparently two constructional techniques - Pennick nominates
Freemasonry (he calls them "the two Masonic traditions) here - are ad
triangulum
and ad quadratum, threes and fours.  Put another way, vesicas,
equilaterals and squares.  Pennick says the 3 and 4 combination of running
both systems together generates a 12, of sorts: "effectively a twelve-fold symbol
-ically associated with the zodiac".  And 3 and 4 make 7 (and 12, of course ...
3 X 4). Here's his demonstration of a Glastonbury floorplan:
 
There are a
number of
things 'going
on' here that
we have met with
already. You can
easily make out
the circles,
equilaterals and
squares - and
possibly you can
see the hexagons,
both explicit and
implicit.  But
there are also the
implicit
pentagons/
pentagram stars
 - we're looking
at Vesica/Seed/
Flower of Life
geometry.
 
And that means
we're looking at
"Isis" - in exactly the same way as on my Flower of Life/Tree of Life graphic, Isis
twixt J and B and in the Wood-Campbell 'Star Union' from GENESET.  Pennick
actually superimposes one of these on the other to effect.  For the second graphic
and an excellent write-up go to  www.isleofavalon.co.uk/history/pennick.html

I was aware of this author in the context of the 'thin' Templar (7-sided) Star he
proposed existed in France, made of cathedral-sites, and also the Royston Cave/
omphalos idea, which interested me because it was just by the Icknield/Ermine
"Rosy Cross" (well, Roisia de Vere's, actually) - and Old Ways figure large in my 
study (in fact, Ermine is the only one - of the Big 4 - not immediately picked out
by the geometry I explored: MOVING MENHIRS).
 
John Michell and Chris Street (drawing on Michell) also demonstrate hexagonal
maths in the context of a Glastonbury church, whilst one or more also show
pentagonal, hexagonal, heptagram and dodecagram (7 and 12, note) geometry in
the Stonehenge design.

A note re. 7 and 12:  it could be said to be a way of coding 3-4-5, the most
famous of the right-angled triangles, perhaps.  'Isis' gets to be horizontal,
Osiris upright (of course) and Horus is the hypotenuse.  7 and 12 is a fairly
simple Square Root 3-alike (1.714 ... to 1.732...)..

Another note: Gnostic texts (Nag Hammadi) tell of the 12 disciples of Jesus
and 7 women followers.  Then there's the 2 X 2 X 2 cube: 8 small cubes
generating one larger one (so 9 in total).  There are 24 facets of which 12
are interfaces - but, if you dismantle the large cube and line up the 8 then
there will only be 7 interfaces.*

Note (26-12-08, Morph, GHMB, re 7, 12 and cubes/dice/dies ... and thanks):

"... sacred cubes, as relative to the sacred objects (ladders/Milky Way/perfect
ashlar/perfected initiate if later Masonic considerations are anything to go by). 
Of course, 2 cubes each numbered 1-6 have a sum value of 42 and an average
value of 7.

This does of course harmonise 12 the number of Divine ordering with 7, the
number of mysterious change .... or so tradition would have it."

Paul Ashworth

My notes (re REVELATION numbers): 3 1/2 (7/2) REV. 11, 9 and 12, 14.
3 1/2 days is 84 hours (is 42 X 2) is 5040 minutes (and 504 is our 63 mile
radius X 8 = in furlongs rather than miles) and 302400 secs.

42 months - REV. 13, 5 and 11, 2 - is 3 1/2 years.  42/3.5 = 12..  1260
- REV. 11. 3 and 12, 6 - seems to tie in:  1260/3.5 = 360.


*Following the line takes you into the 1 3 5 interplays possible: 3.15 is 15.15
(clockface), for instance, where 3 is 1.5 + 1.5 - 'Isis'?  A
n Horus child of Isis
of  7 results from the 'coupling' of an Osiris of 4 with an Isis of Sq. Rt. 33. 
Sq. Rt. 3 alike 153 : 265  is 51 X 3 : 53 X 5.  Whilst this 'stuff' (I call it
"messin' with maths") fits to an equilateral/ hexagon (sided 3, generating a
right-angled triangle hypotenuse 3 and one side 1.5) it so nearly/almost fits
to decagons (as Michael Behrend points out in his Perpetual Choir study -
he posits hypotenuse 5 plays side 1.5 or, more accurately, 3/2 - the rather
grandly titled Institute of Geomantic Research and carried in the quarterly,
PENDRAGON, in an article by Fred Stedman-Jones detailing Behrend's 10
CPC vertices and his - Behrend's - qualifications of John Michell's original
dimensions).  Rather thematically, too, we can use 4 and 7 (c/o Euclid 47)
to generate a hypotenuse of Sq. Rt. 65, which is 5 X 13.  Differently sided
right-angled triangles seems to be thematically generative somewhat! 5 and
13 also figure with 13 equal sized spheres where one is central and the other
12 surround it perfectly, each of the 12 touching 4 others (and 4 + 1 = 5).
The idea is said, by some, to be redolent of the zodiac (+ centre) and other
12s + 1 (Jesus, Arthur, Charlemagne ...).

*On the 7 note scale in a 12 note octave, I discuss this elsewhere as of fairly
recent origin.

In correspondence with me several years ago, Fred told me his own research
into the CPC idea threw up a recurring 'fugitive stag' theme.  For an
explanation of this alchemical symbol (and others on this 1618 AD Emerald
Tablet) go to www.alchemylab.com/smaragdina.htm

Of note to us here is the Merian placing of things: Fire and Air get to be left
and daytime (our J pillar) and associated with the revenant phoenix; Water
and Earth get to be right and night-time (our B pillar) and associated with
the Aquila eagle:



















The hexagram (there is one, it says here) is said to symbolise alchemical salt -
union of (male) Fire with (female) Water.  The same idea obtains in Durer's Adam
and Eve.  Note that 'Adam' is to the right of 'Eve' -  from their perspective.

15 is 3 5s - and some run these together - 555 - to generate a 'Sacred
geometric pattern' consisting of pentagon/lady pentagram combo. with
a larger goat pentagram between them. 555 is also termed 'master
number' - but not by me!!!

You'll find the ideas with simple searches.  My interest is that 666* and 555
are multiples of 37, 2 X which is, quite literally, 'Jesus' - add up the letter
values!  And I note the common misconception that the mirror (reciprocal)
of 15 is 666 (drawn from 0.066666r = 0.0667 to 3 dec. figures, so "667")... and that takes us neatly back to Tarot 15, the Devil card.  15 comprises 5 + 5 + 5 and 555 = 37 X 15.  37 is also the 5th 'lucky prime', the 1st 'irregular prime' and the 3rd 'unique prime', I read (Wikipedia).  How can the third be unique?

Also note 666 = 151 + 515.  The Freemasons' Grand Lodge, Great Queen Street, London sits on Lat. 51.515 (to 3 dec. figures).

*666 = 531 + 135, and 666/531 is very close to 360/7, the Virgin Latitude
(where - on/by the Tiver Severn) an octagon of 50.4 miles radius can be
posited, atr least on a map.  504 is 351 + 153.  All those 1s, 3s and 5s ...


Oh well! I find it posited that Roslin's Latitude is both 55 51.5 (?is it?) and
related whilst 55 50 somehow ties to St. John.  The Michell CPC 'Croft'
site - Enderby, really! - sits on "St Johns" (Fosse), by the River Soar burial
place of King Llyr (father of our topical Bran the Blessed who. like St. John
was. notice,beheaded), and on no interesting Lat. whatsoever.  The
Longitude
, however, appears to be circa 1 11 11.  The site appears to be
called Grove Park, by the King's Peace road, the Fosse Way (and B4114). 
There is a St John's Day ceremony annually nearby and the possibility of a
Abbey site at Lubbesthorpe, also nearby. Older maps of the area (I've seen)
seem to indicate it was all Abbey land once.

And a thought:
 
Louis Charpentier has made a study of Chartres cathedral, France, demonstrating
Sacred Geometry at work.  But there's also a little by-play possible: Chartres is
Gothic (Square Root 3 arches/equilateral triangle stuff) and the Knights Templar
are alleged to have worshipped a Goat Deity sometimes named as Baphomet. 
Golden Dawn's Tarot 15 is said to be a representation of Baphomet - the one
with the inverted Isis on the forehead rather than more usual Goat pentagram or,
in one case I came across, hexagram.  It is curious, but true, the Chartres and
Baphomet are both 8 letters long and share the letters H-A-T-E. 'Thea" means
goddess.  Subtract her and you are left with CRRS and BPOM.
 
CRRS minus BPOM is 1236.  Now, that isn't the Fibonacci (1), 1, 2, 3, 5 ...
but it is suggestive of something similar:  phi is often given as 0.618.  1.236 is
2 X 0.618.  Two 'pillars', one goddess?  And, on the floor at Chartres, the 3
tables: rectangle, square and circle.  That's Square Root 5 (and implicit phi),
Square Root 2 and Pi.  Only Square Root 3 missing - and, if you want to mess
a bit more, how about that circle being the Pi relationship of the god Ra
(Ra-deus) and the (virgin) Mother goddess (Dia-Mater) with the circumference
of that circle?
Notes on Baphomet:  the cornucopia (grail-alike) 'giver-of-all-good-things'
was used to nurture young Zeus by the nymph Amalthea ... as in 'thea'.  It
was a goat horn and/or she was a she-goat, a capella.

Is it just me or is the similarity twixt church capelle/chapel and capella a
tad, shall-we-say, OBVIOUS?  As is also that twixt Gothic and goat-like
(goatique)?  Chartres at dawn even looks the part and it is horned/billed/
spired, is held up by buttresses and has a roof supported by chevrons
(where 'chevre' is goat).  There appears to be a similarity in goat, building,
head (caput) and aspirational words.  Goat is capra and chivo (as not in
achievement). 

Of course, had Chartres once been blessed with bells then it would be a
chimer - khimaira is she-goat.

Note (geoffss, 05-12-08):  Re Foundation = 12 (3 + 4 + 5 Pythagoras)

3 sq + 4 sq = 5 sq - and this is implicit in the High Priest breastplate,
Jerusalem with its 3 vertical rows of 4 (Note too that the Fibonacci
sequence "finds" all such Euclid 47 triangles and also note Urim and
Thurrim add to these 12 to make 14 where 3 + 4 + 3 + 4 also = 14).

If you take the order of birth of Jacob's 12 male children together with the
order of jewels listed in REVELATION 21, 19-20 (as against EXODUS 28,
17-21, thus starting Benjamin (jasper) = 1 (and do this in the context of
the REVELATION New Jerusalem gates/tribes), then the oddest thing
happens:


Levi (3, 3 = 6) gets kicked into the centre whilst Joseph (5, 11 = 16)
goes missing completely.  Sons Ephraim and Manasseh arrive instead.
We get 6(Levi/centre)-7-8 (no 9) 10*-11-12 13-14-15 (no 16) 17-18-19.
Note the combos (thanks PMac) of 25 in 6 + 19 etc working in.

*Assuming Ephraim and Manasseh are the 10 (5 + 5) then the missing
values in the are 3 sq. and 4 sq implying 5 sq (25). 

Values:

1 Benjamin Jasper, 2 Issachar Sapphire, 3 Levi Chalcedony,
4 Judah Emerald, 5 Joseph Sardonyx, 6 Reuben Carnelian, 7 Asher
Chrysolite, 8 Zebulun Beryl, 9 Dan Topaz, 10 Simeon Chrysoprase,
11 Napthali Jacinth, 12 Gad Amethyst.

Birth order: Reuben (1), Simeon (2), Levi (3), Judah (4), Dan (5),
Napthali (6), Gad (7), Asher (8), Issachar (9), Zebulun (10),
Joseph (11), Benjamin (12).

Gate order:
East - Judah, Issachar, Zebulun.
South - Reuben, Simeon, Gad.
West - Benjamin, Manasseh*, Ephraim*.
North - Dan, Asher, Napthali
(with Levi in the middle).

(Of interest?  9, 16 and 25 are the magic squares of Saturn, Jupiter and Mars.  Note also
that 24 elders round a throne = 25.  Note too EXODUS gives a different order to REVELATION.)

The analysis above rests on a rather massive "might"*.   This only works
with one version of what gem identifies what tribe - and there are many.
See also Ezekiel 48 30-34 for a different who has which gate.  Note too
that Philo and Flavius both identified the 12 breastplate stones with the
zodiac (apparently).

* CAVEAT:
Given the "25" outcome I found in this one version, I have to wonder
at the source - including its age!  For the one version that produces this
look under "Foundation Stones" at 
 http://en.wikipedia.org/wiki/New_Jerusalem

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